Here
are a couple of my recordings for your listening pleasure. These first
two are written around kids' improvisations. I'll post new ones, both
commercial and non-commercial, as I get around to it.
Spiders
in Webs,
my latest collaboration: Here
is the original, only slightly altered, made up on the spot. (1 meg, 45
seconds)
I chose to treat the pitches that this child sang as
accurate and intentional (rather than out of tune diatonicism),
transcribing, harmonizing, and orchestrating them as such. This led me
down paths I would probably not have thought of left to my own devices.
Walkin' the Line, an
older sound collage that I recently began reworking. I'll do more with
it when I can. (800kB, 33 seconds)
Each project suggests its own shape, style, and
form. I just try to follow the suggestions in a way that pleases me
artistically.
My idea with these kids' recordings is to start with
the child: his/her imagination, content, and delivery, and to go from
there.
FableVision is the media company run by my
old friends and collaborators Peter (my illustrator) & Paul
Reynolds. Here is their old animation demo video for which I
composed, played, and recorded the music some time ago. Making this was
hard work and great fun.
Behind-the-scenes
notes: No synthesizers whatsoever were used, and no living organisms
were harmed in the making of this video. If I remember correctly, I
played over 40 dagzillion instruments on the soundtrack. Among them
were piano, guitars, banjo, mandolin, tenor mandolin, bass, recorders,
clarinet, bass clarinet, saxes, erh-hu (Chinese violin), a folk harp,
saw, various drums and bones, slinkies, scrub brush, a huge dictionary
(!), zoob tube, shakers, a broken mandolin with a broken neck, and many more.
Compositionally, I had an important choice to make when writing the
music for the demo -- whether to ignore the many many video edits, and
just write music that went on its merry way, taking no notice of the
visuals, or to write "with" the edits. You'll hear which decision I
made.