Edly's Recommended Listening
& Links

Here's a tiny list for
those wishing to branch out in a new direction, or add just a few items
to a collection. All music listed here comes with my highest
recommendation. It's not all for everyone, of course, and some of it
may require a lot of growing into for most people.
Asterisks
are my subjective rating of accessibility (not quality) for the
uninitiated:
* = most
accessible
***** out of the ordinary; less accessible (but worth it!!)
Warning:
this list is highly subjective and absurdly incomplete. It's here just for
those who might want a little input. If it comes in handy to even one
or two people, then great! As the song goes, just take what you need
and leave the rest. . .
ROCK ETC.
Kate Bush
The Kick Inside *
Beatles
the two bars after the guitar solo of "Come Together" (Abbey Road)
Dixie
Dregs
What If * pyrotechnic playing and more interesting
composition than most of its genre. high testosterone level
Gentle
Giant
In a Glass House & Free Hand ***
Juluka
Stand Your Ground (Warner 9 25155-1) S. African pop *
Dissidenten
Life at the Pyramids (Shanachie 64001) traditional
Moroccan through a rock/funk prism **
Gong
Gazeuse/Espresso ***
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JAZZ
John Coltrane
Giant Steps Atlantic 1311-2 awe-inspiring musicianship!
Art Tatum
any of the solo recordings of this piano giant! *
Miles
Davis
Kinda Blue
Coleman
Hawkins
(Giants of Jazz [?] PLPJT 51 B) *
Manhattan
Transfer
Vocalese *
The
Hi-Lo's
Suddenly it's the Hi-Lo's (Columbia PC 36980) *
Guy Van
Duser
Stride Guitar (Rounder 3059) Yep. Imagine stride piano
on a nylon string guitar. Okay. Now imagine it being done really really
well. *
Greene
String Quartet
The String Machine From swing to nasty. (Virgin
2-91632) *
Turtle
Island String Quartet
sweeter than the Greene quartet, but who's comparing? *
Josh Roseman Unit
Cherry Well, cousin Josh has
finally gone and dun it. And it's groovy, funny, sometimes
nasty, other times smooth. (I'm so proud!) This is a really fine album,
all cousinhood aside. Music samples are on his site.
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SHOWS ETC.
Stephen
Sondheim
Sunday in the Park with George *
Stephen
Sondheim
Sweeney Todd *** gruesome, challenging and moving. The
first time I saw this show live, my knees were knocking together when I
stood for the (standing, oddly enough) ovation. On the other hand,
there were people leaving, shaking their heads within ten minutes of
the beginning of the show.
Bernstein
West Side Story *
Ute
Lemper sings Kurt Weill - London D 115163 *
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ETHNO/FOLK
Klezmer
Conservatory Band
Yiddishe Renaissance (Vanguard VSD 79450) **
How to
Change a Flat Tire
Traditional Music of Ireland & Shetland (Front Hall
FHR-018) * probably out of print, & therefore only for the
dedicated LP(!) seeker, but definitely worth the search!
Matt
Molloy
(Green Linnet SIF 3008) and Stony Steps *
Irish instrumental music at its "sublimely good". (what is "at its
best", anyway?)
Mary
Bergin
Fedoga Stain (sp?) Green Linnet *
Mary plays a hot pennywhistle. I love this album.
Little
Sisters of the Grassland, etc.
(Hong Kong 6.340073) wonderful Chinese classical; western influence **
E.
Koestyara & Group Gapura
Sankala - (ICON 5501) ***
Ramnad
Krishnan
Kaccheri *** [excellent intro to S. Indian vocal]
(NONESUCH H-72040) and
Vidwan **** (NONESUCH 9 72023-2) [a more in depth
venture]
Le
Mystère des Voix Bulgares (any or all of the three) ***
Africa on
Mango (a sampler) *
[contemporary pop from all over Africa] I challenge you not to love a
number of these winners!!
Zap Mama
Adventures in Afropea 1
The most exciting acappela vocal group I've heard in a while! **
Ruth
Barrett & Cyntia Smith
Aeolus *
beautiful singing and mountain dulcimer playing.
Jean
Redpath/Serge Hovey
Songs of Robert Burns series*
Jean's pure and lovely voice is complemented and contrasted by Serge
Hovey's quirky, clever, and unique arrangements. The result is
compelling and utterly convincing.
Linda
Waterfal
Body English*
(talented writer/singer/pianist/guitarist]
Willie
& Lobo
Gypsy Boogaloo (Mesa R2 79056)
Less pyrotechnic than Strunz & Farah (see elsewhere), this makes
them even more accessible. Pull up an espresso and relax with a friend.
Thanx to JC for the turn-on!
Shirim
Naftule's Dream **
incredibly right-on traditionally-based Klezmer with a great modern
edge.
Naftule's
Dream
New Yiddish Music *** (?)
Naftule's Dream is made up of mostly the same folks as Shirim, but the
band has a different focus entirely. This is contemporary jazz,
hard-edged and driving, with a Klezmer antecedent. The question mark is
there because how accessible this great album is or isn't totally
depends on your taste and listening experience, but I guess that could
be said for most music. So what the hey?
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GUITARISTS
Stanley
Jordan
frets an electric with both hands, tap-style-no plucking. Through this
technique he is able to accompany himself something like a pianist.
Excellent jazz guitar.
Michael
Hedges is
another highly original tap-style player who successfully shed his
Windham Hill wallpaper veneer. Also an excellent singer. BIG guitar
sound. Aerial Boundaries is instrumental, expansive, and
doubles gracefully as passive/active listening. Live on the Double
Planet is indeed live and is much more varied.
Eliot
Fisk is a
particularly pyrotechnically oriented classical guitarist. You can't go
wrong with any of the other big name classical guitarists including
Bream, Lorimer, Boyd, Yamashita, Williams, and of course, Segovia.
Joe
Pass has
been playing fab jazz guitar for more years than I've been alive. Love
ya', Joe!
Guy
Van Duser
plays what he calls Stride Guitar, and it is-on a nylon string, no
less. Guy swings with grace and ease. The Stride Guitar album
is my favorite.
Leo
Kottke:
Intricate folk picking. Greenhouse is my favorite.
Strunz
& Farah:
Any album. Theses guys are so good, they're ridiculawsome!!
Contemporary flamenco influlenced world-guitar madness. Just try and
not like it!! Fast & furious. * (Okay, I don't love the Americas
album dispite its flamingly lively instrumental work. Oh well.)
Tuck
& Patti's Tears Of Joy album is consistently
beaming! (Especially recommended for lovers) The others don't measure
up in my opinion. Tuck is my current favorite guitarist, putting
together impeccable technique, singing tone, and exquisite taste. Dont'
miss these two live!!
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OPERA
Verd
Rigoletto
my choice for beginners despite its tragic nature ** also, the Requiem
***
Puccini
La Bohéme
Verdi takes the highs (and lows) of Verdi, and (arguably) amplifies
them to full blast. **
Berg
Wozzeck
Gawd, I LOVE this piece! Not for the socially weak-stomached or
musically tender-eared, but well worth the investment. The piece's
dissonance parallel's the characters' disfunctions. *****
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"MUST HAVE" CLASSICAL
. . . for
those who want to start building their collection of classical
standards. This is a mere smattering of the important Western classical
music since Bach. Enjoy!
Beethoven
Symphonies #4,5,7 & 9
String Quartets Opus 18
Appassionata, Pathetique, & Moonlight Sonatas
Brahms
Symphonies #4, 3, 2, & 1
Piano Concerto #2
Mozart
Symphony #40 in G minor
Eine Kleine Nachtmusik
Clarinet Quintet
Smetana
the Moldau
Orff
Carmina Burana
Rodrigo
Concerto de Aranjuez *
Bach
Cantata #140 "Wachet Auf" **
Organ Works (any)
Brandenburg Concertos (Complete) *
Scarlatti
Harpsichord works
Telemann
Concertos (any of 'em, esp recorder conc's)
Ravel
String Quartet
Bolero
Tzigane - fiery gypsy music made classical
Liszt
Piano Concerto #2
Chopin
Piano Concerto #1
Katchaturian
Gayne Suite
Gershwin
Rhapsody in Blue & Concerto in F
Rachmaninoff
Rhapsody on a theme by Pagannini
Prokofiev
Classical Symphony, Romeo & Juliet Ballet Suites
Tchaikovsky
Nutcracker Suite
Romeo & Juliet Ballet Suite
Piano Concerto #1
Rimsky-Korsakov
Scheherazade
Dvorak
New World Symphony
Holst
The Planets **
Mahler
Symphony #1 & #4 ***
Not for classical novices, but intensely rewarding to the seasoned
listener.
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MUSIC ON VIDEO & RADIO
Okay, so
there's more to these than listening. . . all musically relevant.
Schickele
Mix
Peter Schickele's (discoverer of P.D.Q. Bach) radio show: lots o' fun
and more informative than most music appreciation books. Highly
recommended (that means, don't miss it!) On NPR (National Public Radio)
Fridays at 11 AM and repeated on Sundays some time during the day where
I am, anyway. Call your local public radio station and ask 'em about
this fabulous show.
Madame
Sousatska
Being a prodigy ain't a smooth ride. If you doubt me, watch this.
The
5000 Fingers of Dr. T
Dr. Suess's only full-length nonanimated feature, about the evil piano
teacher who wants to take over the world with his "Happy Fingers piano
method"-and who doesn't?!
Carmen (flamenco version)
Take a chance on this one-you'll be rewarded
From
Mao to Mozart
If you ever have the chance to see this gem, be forewarned, you are in
danger of falling in love-and empathy-with Chinese music and culture.
It did it for me. Thanks to P&P Reynolds and their reluctant report
in college. not rentable(?)
Allegro
non Troppo
Adult, animated Fantasia for cynicists. Say no more.
West
Side Story
You HAVE seen the movie of WSS, haven't you? Please say yes. If no, see
you at the video store!
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OFF-THE-BEATEN-PATH CLASSICAL
OK, so
you've built your classical repertoire, and are ready to have some
adventures. These reach backwards and forwards, left and right, up and
down and on occassion, waaay over stretch!
Bach/Malloch
The Art of Fuguing (Town Hall S-20)
A radical approach to Bach's The Art of the Fugue *
PergolesI
Magnificat (Argo ZRG 505) *
Stabat
Mater *
Arvo Pârt
Te Deum (ECM 1505)
Transcendant & mystical *
Dowland
Songs for tenor and lute (Virgin Classics VC 7 90726-2) *
Nancy
Allen
A Celebration for Harp (EMI CDM-7 69070 2) exquisite!! *
Maria Graf
Harp Recital - (Philips D125103) also exquisite!! *
John
Rutter
Requiem et al.*
Gently beautiful; no new harmonies or techniques, just bliss beyond the
Chichester Psalms.
Randall
Thompson
2nd Symph. *
One of my American faves: (Koch 3-7074-2 H1)
Astor
Piazzola
Bandolodeon Concerto **
Tony Plog
Colors For Brass (Summit DCD 116)
Hip, rhythmically dynamic brass writing. **
Hindemith
Symphonic Metamorphoses and Mathis Der Mahler ***
Noblissima
Visione****
and the Four Temperments****
Steve
Reich
Octet, Music for a Large Ensemble, etc.
[excellent intro to minimalism] ****
Stravinsky
The Rite of Spring****
The Firebird***
Jeu des Cartes**
and Pulchinella*
Walton
Symphony #1 (Chandos CHAN 8313) ****
Kurt Weill
Symph #2*
Spartan and wonderful; the German counterpart to Thompson's #2. The
Nimbus recording is pretty good; stay away from whichever one has the
drab cover-the rendition matches!
Mystical,
Beautifully Aberrant Classical
Daniel
Lentz
Missa Umbrarum & O-Ke-Wa (New Albion NA 006)
Beautiful vocal writing, intense and other-worldly. ****
Wim
Mertens
Educes Me - (TWI CD 808)
transparent, beautiful, profound, familiar yet foreign. **
Steven
Scott
New Music for Bowed Piano (New Albion NA 004) **
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AVANT-GARDE/ELECTRONIC
Five
Voices
Direct Sounds (Intakt CD 015)
Extended Vocal Techniques for those who like it rough. Emphasis on
performance rather than composition. *****
Electric
Phoenix (Wergo WER 60094)
S tartlingly original, pyrotechnically composed and performed. *****
Morton
Subotinick
Key To Songs (New Albion NA012)
The vigor of rock 'n' roll with classical saavy. Mixed electronic &
acoustic instruments. ****
Tomita
The Planets, Snowflakes are Dancing, Bolero, etc.
Recognized as one of the world's leading synthesists, Tomita should be
better known than he is. His treatments of classical pieces are always
tasteful and revelatory. **
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HARD TO CLASSIFY
Conventum
Le Bureau Centrale des Utopies
I first heard this in 1986 or so, and it had been out of print until
its 1996 rerelease on CD. No one outside of Quebec seems to have ever
heard of this group, or this most amazing album. I guess it was out of
print until its recent reissued on CD. Gentle Giant lovers, among
others, should appreciate this group. Much of it sounds a bit like
Celtic music with all wrong notes, and shifting time. I found this, and
one other Conventum disc through one of the on-line CD sellers. Good
luck!
Cormack
& Ross
Horse of Stone
An inspiring melding of world musics and jazz and virtuoso composition
and song writing, brilliantly played and sung. I think of this album as
'music for musicians,' thinking that much of it would go right over the
heads of lay people. But who am I to say?
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